How do you avoid reflections when the dish is both a still and a clip?

The shine comes off the sauce and the glass before you shoot, and the same position holds for the still and the clip. If you move the light between the two takes, the reflection returns in only one of them.

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Set the glass and the plate, film the clip and shoot the still without turning anything. In the sierra the still comes out clean and the clip carries a white window in the sauce. Still and clip come from the same position, with that shine already off the sauce.

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